An interesting fact: One of George Romero’s favorite movies, which he said changed his life, was The Tales of Hoffmann from 1951. He said it made him want to make movies. I love it as well and always felt more connected to Romero having known that.
This is for George, to make him happy and to remember who he was, not just his adventurous films. The full version of Hoffmann was hard to find, so here’s a trailer. If anyone finds it please post in the comments?
In addition to GR’s better-known zombie films, Creepshow was another childhood favorite, such a good one from the tween memory collection.
“Melencolia I” 1514, a most analyzed and fascinating print full of symbolic morsels….
Self Portrait, 1496
Welcome to the Ghetto Tarot, a project from award-winning documentary photographer Alice Smeets and a group of Haitian artists known as Atis Rezistans. The idea was to take the classic Rider-Waite tarot deck of 78 cards and create a photographic version of each card using settings and objects in the vibrant ghetto of Haiti.
As Smeets says, “The spirit of the Ghetto Tarot project is the inspiration to turn negative into positive while playing. The group of artists ‘Atiz Rezistans’ use trash to create art with their own visions that are a reflection of the beauty they see hidden within the waste. They are claiming the word ‘Ghetto,’ thus freeing themselves of its depreciating undertone and turning it into something beautiful.”
Smeets also related some of the memorable incidents while executing the photo shoots:
There have been plenty of little, funny moments. One example: when we were shooting the scene of the Death card, I asked the artists if they had real skulls to place them in the picture. Five minutes later, Claudel, one of the artists and my dearest assistant, came along holding a plastic bag filled with skulls in his hands as if it was the most normal thing in the world to carry dead peoples heads around.
It constantly surprised me how the artists almost always found immediately what I asked for. For the picture of the High Priestess, we needed horns to place them next to her feet. I hadn’t let them known beforehand that we would be in need of them. As soon as Claudel found out, he ran and came back a moment later with two horns in his hands. They never told me where they found all of the materials, they just happened to lay around somewhere in the Ghetto.
The Ghetto Tarot has been fully funded on indiegogo, and you can place an order for a full deck at the price of 32 euros (about $36).
(Clicking on any image in this post will spawn a larger image.)
This macabre French-Italian film is one of my favorites because not only is the story fascinatingly awful, but the cinematography is breathtaking. I once saw a tap dance musical in Chicago based on this story which was, well, interesting, not great, but I had to give them kudos for trying. This film was met with praise and disgust when it premiered in 1960, which only gives it more value in my eyes, as I feel art in any form needs to move you in some way, even if it’s negative. It is an interesting story about ego, vanity, isolation, the helplessness of sentient beings, and obsession. The crushing vanities of the bourgeoisie?