Trace the pattern of the sleeve, widen the pattern from the center, and cut the mockup:
Remove the bodice sketch from the dress form, true-up the pieces, add seam allowance, and cut the paper patterns.
Day 4: I messed up a bunch of stuff and had to do it over, so more pics on day 5 (it’s called Learning)
Make adjustments to the paper pattern by attaching pieces. Even out the darts, cut the fabric, sew the pieces together. First mock up is done.
Day 6: Moving on to the designer’s next piece, building the dress underneath first:
Rough draft complete.
Day 7: Draft a pattern for a cutout sleeve. The shape of this sleeve is a challenge and required several different drafts.
Day 8: Sleeve complete, mockup 2 complete, actor’s first fitting today:
Trued-up pattern pieces for the wraparound dress:
Day 10: second mockup complete. Nice, smooth darts and better fit.
Day 11: Drape the final piece:
Day 12: preparing muslin to flatline fashion fabric
Day 18: the pieces are almost finished, but ready enough for dress rehearsal:
Today, The Subterraneans go on a scouting spree for 1920’s costumes for men and women. Buying for a show means you get to spend other people’s money and have adventures.
First stop, Downtown Oakland Salvation Army. Good men’s suiting, shirts, and anything for women that has potential.
Also, hoping to see some good thrift store paintings throughout the day.
Working the show.
Jonathan Croall’s new book, Performing Hamlet, gives a decade-by-decade look (starting in the 1950s) at iconic performances of one of Shakespeare’s most well-known characters. The book, published this summer by Bloomsbury in The Arden Shakespeare series, also contains the theater historian’s in-depth interviews with five distinguished actors who have played Hamlet in the 21st century: Jude…
For those of you also on my private blog, sorry about the repeat, I just enjoy this story.
Excited to be cutter/draper for this little number in the fall:
“In hope, I live” ~ Pericles’ shield